Women Poet: Pre-independence
Paper 4 Indian Writing in English Pre-Independence Topic: Women Poet (Pre-Independence) Paper 4 women poet (pre independence) from dipaliparmar244 To evaluate my presentation click on this image.
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Hamartia: The Literary Term
Paper 3 Literary Theory and Criticism Topic: Hamartia (Literary Term) Paper 3 Hamartia from dipaliparmar244 To evaluate my presentation click on this image.
She Stoops to Conquer: Removing the Mask
Paper 2 Neo Classical Literature Topic: She Stoops to Conquer Paper 2 she stoops to conquer from dipaliparmar244 To evaluate my presentation click on this image.
The Flea by John Donne
Paper 1: The Renaissance Age Topic: The Flea Paper 1 the flea from dipaliparmar244 To evaluate my presentation click on this image.
Raja Rao: A Man & his Work
To evaluate my assignment click here Raja Rao A MAN AND HIS WORK Department of English (M.K.B.U.) Parmar Dipali K. Roll No: 30 M.A. Sem. 1 Batch: 2015-’17 Email Id: dipaliparmar247@gmail.com Raja Rao A Man Raja Rao (8 November 1908 – 8 July 2006) was an Indian writer of English language novels and short stories, whose works are deeply rooted in Hinduism. The Serpent and the Rope (1960), a semi-autobiographical novel recounting a search for spiritual truth in Europe and India, established him as one of the finest Indian prose stylists and won him the Sahitya Akademi Award in 1964. [1] For the entire body of his work, Rao was awarded the Neustadt International Prize for Literature in 1988. Rao's wide ranging body of work, spanning a number of genres, is seen as a varied and significant contribution to Indian English literature, as well as World literature. About his Life:
Aristotle and Dryden's viewsbe on Three Dramatic Unities
To evaluate my assignment click here Aristotle’s Poetics ARISTOTLE AND DRYDEN'S VIEWS ON THREE UNITIES Department of English (M.K.B.U.) Parmar Dipali K. Roll No: 30 M.A. Sem. 1 Batch: 2015-’17 Email Id: dipaliparmar247@gmail.com Dryden's views on the three dramatic unities Supporting the ancients, Crites reminds that all the rules of drama were discovered by the ancients. The English have added nothing of their own in Aristotle's Poetics and Horace's Ars Poetica. The three dramatic unities—Unity of time, Unity of Place, and Unity of Action—are the special gifts of the ancients. The French call them the three unities. 1. The Unity of Time: The unity of time they comprehend in twenty-four hours, the compass of a natural day, or as near as it can be contrived; and the reason of it is obvious to everyone,--that the time of the feigned action, or fable of the play, should be proportioned as near as can be to the duration of th