Hamartia: The Literary Term

Paper 3 Literary Theory and Criticism
Topic: Hamartia (Literary Term)

Paper 3 Hamartia from dipaliparmar244

https://www.google.com/url?hl=en-GB&q=http://dilipbarad.blogspot.in/2015/10/rubric-for-evaluation-of-oral.html&source=gmail&ust=1478858190010000&usg=AFQjCNHuPbqc_4WNMInH6aHI82wpWkSjmA
  To evaluate my presentation click on this image.

Comments

Post a Comment

Popular posts from this blog

Rasa Theory

Image
Rasa Theory Indian Poetics: Rasa theory and natya shastra Name: Parmar Dipali K. Roll No. : 26 Assignment Sem. 2 Email Id: dipaliparmar247@gmail.com Submitted to: The Department of English, MKBU. v Classification of Literary Theories:             It is possible to classify the literary theories on the basis of what aspect of literary composition is central to them. Accordingly, we have theory of: 1. Language , namely alamkara and vakrokti. 2. Style and compositional value, namely guna/dosa, riti, and auchitya. 3. Verbal symbolism, namely, dhvani. 4. Aesthetic experience, namely, rasa. 5. Narrative, namely, mahakavya. 6. Discourse analysis, namely, yuktis . 7. Comprehensive analysis. 8. Interpretation. v Introduction to Major Literary Theory “Rasa Theory” : The rasa theory originates with Bharata in Natyasastra. It claims that the object or meaning that is sought to be conveyed in literar...
Read more

Aristotle and Dryden's views​be on Three Dramatic Unities

  To evaluate my assignment click here   Aristotle’s Poetics ARISTOTLE AND DRYDEN'S VIEWS ON THREE UNITIES Department of English (M.K.B.U.) Parmar Dipali K. Roll No: 30 M.A. Sem. 1 Batch: 2015-’17 Email Id: dipaliparmar247@gmail.com Dryden's views on the three dramatic unities Supporting the ancients, Crites reminds that all the rules of drama were discovered by the ancients. The English have added nothing of their own in Aristotle's Poetics and Horace's Ars Poetica. The three dramatic unities—Unity of time, Unity of Place, and Unity of Action—are the special gifts of the ancients. The French call them the three unities.   1. The Unity of Time: The unity of time they comprehend in twenty-four hours, the compass of a natural day, or as near as it can be contrived; and the reason of it is obvious to everyone,--that the time of the feigned action, or fable of the play, should be proportioned as near as can be to the duration of th...
Read more

Harold Pinter’s Dramatic Techniques

Image
Harold Pinter’s Dramatic Techniques Name: Parmar Dipali K.   Roll No. : 24   Assignment Sem. 3   Email Id: dipaliparmar247@gmail.com Submitted to: The Department of English, MKBU. About Harold Pinter: He born on 10 th October, 1930 in London and died on 24 th December, 2008. During his life he has played a role of a playwright, screenwriter, actor, theatre director and a poet. He was a Noble Prize winner playwright. He had given 50 years of his life to his career. His best known works are The Birthday Party (1957), The Homecoming (1964), and Betrayal (1978). His early plays were described by critics as Comedy of Menace but later works like No Man’s Land (1975) and Betrayal (1978) became known as Memory Plays. Here we are focusing on his Dramatic Techniques. So let’s see how he defers from other writers: Harold Pinter’s Dramatic Techniques: Harold Pinter’s dramatic techniques are related to: 1) Setting...
Read more